Contact

Email	Contact Catherine

1959	Born Augsburg, Germany
1982	Arrived Australia

Education

1988-1991	Bachelor of Arts, Gold-and Silversmithing, Australian National University, Canberra School of Art
1997-1999	Master of Creative Arts, University of Wollongong
1998	Grad. Dip. Adult Education, UTS, Sydney

Present Position

2001—	Head Teacher, Design Centre Enmore, SI, TAFE NSW Jewellery Design & Trade

Awards

1992	First Prize, Graduate Metal V, WA, Perth
1995	Visual Arts/Craft Board, Project Grant
1995	Capital Arts Patrons Organisation Grant
1996	A.C.T. Arts Development Unit Grant
1997	Visual Arts/Craft Board, New Work Grant
2004	Visual Arts/Craft Board, New Work Grant
2004	Sydney Institute Teaching Excellence
2004	NSW Quality Teaching Award

Selected Exhibitions

1991	International Silver Triennial, Hanau, Germany
1992	Hollow ware, Crawford Gallery, Sydney
1992	Directions, Cutlery, High Court, Canberra, Melbourne
1993	Tray Exhibition, Jam Factory, Adelaide
1993	Crossing Over, Crafts Council A.C.T
1994	the Domestic Revolution, Hyde Park Barracks, Sydney
1994	Dinner for Two, Schwabish Gmund, Koln, Germany
1995	15 th nat. Craft Acquisition Award, N.T Museum & Art Gallery
1996	Women’s Work, Distelfink, Melbourne
1996	Solo Exhibition, Hollow ware, Beaver Gallery, Canberra
1997	Solo Exhibition, Hollow ware, Sturt Galleries, Mittagong
1998	Metals, Jewels, Vessels, New Shanghai Museum, China
1997	Artists Make Furniture, Long Gallery, Wollongong
1997	Canberra Silversmiths, Canberra Theatre Centre, Canberra
1998	City of Hobart Art Prize, Hobart, Tasmania
1998	Internat. Silver Triennial, Hanau, Prague, Budapest, Antwerp
1998	18 th nat. Craft Acquisition Award, N.T Museum & Art Gallery
1999	Australian Contemporary Design in Jewish Ceremony 11, touring
1999	Teawares: Towards 2000, Distelfink, Melbourne
1999	Solo Exhibition, Implements, Long Gallery, Wollongong
2000	Defining the Object II, Quadrivium, Sydney
2000	Solo Exhibition, Sturt Gallery, Mitagong
2002	Defining the Object IV, Quadrivium, Sydney
2002	Solo Exhibition, Residence Gallery, W.A. Perth
2003	Mop, Exhibition of Metalsmiths, Redfern, Sydney
2004	Solo Exhibition, ‘Fragile Contours’, Sturt Gallery, Mittagong
2004	Two Cubes, Sherman Gallery, Paddington, Sydney
2006	Solo Exhibition, Depot 1, Dank Street Galleries, Sydney

Public Collections

• Museum fur Kunsthandwerk, Frankfurt, Germany
• Queensland Art Gallery, Australia

Contact

Email	Contact A Mi
website	k a m i

Education

2008	Certificate III in Hand Engraving. Sydney Institute of TAFE, Design Centre, Enmore.
2007	OHS Risk Management Course. Sydney Institute of TAFE, Ultimo
2004	Advanced Diploma in Jewellery + Object Design. Sydney Institute of TAFE, Design Centre, Enmore.
2001	Diploma in Textile Design. Han-yang Women College, Seoul Korea.

Employment Experiences

2009–Current	Technical Officer, Sydney Institute TAFE at Design Centre, Enmore, Australia
2007–2008	Tool Store Person, Sydney Institute TAFE at Design Centre, Enmore, Australia
2005–2006	Jewellery Maker/ Designer, Candi Precious Jewellery, Willoughby, Australia
2006	Jewellery Maker/ Designer, Creatively Belle, Balmain and Randwick, Australia
2005	Customer Service Officer, Australian Immigration Law Services, Wynyard, Australia
2002–2004	Sales, Grace Fashion – SES, Sydney, Australia

Exhibitions

2009	Girls Against Gold, Pablo Fanque, Sydney Girls Against Gold, Blank_Space, Surry Hills Explorations 09’, Gaffa, Sydney contemporary wearables ’09, Toowoomba Regional Art Gallery, QLD
2008	White Show, Pablo Fanque, Paddington, Sydney One Night Under the Lights, Design Centre Enmore, Sydney All That Glitters, Gallery Red, Sydney Christmas Show, Studio 20/17, Danks St Depot. Sydney National Contemporary Jewellery Award, Griffith Regional Art Gallery, Griffith Explorations 08’, Gaffa, Sydney RED, Gallery Red, Sydney NCA Art Exhibition, Newtown Mission Church, Sydney Emerging Designers Exhibition, Paddington Uniting Church, Sydney
2004	Fragmentum, The Muse, Ultimo, Sydney
2003	On Off One Off, The Muse, Ultimo, Sydney
2002	Calm Before The Form, The Muse, Ultimo, Sydney
2000	The 6th Fine Art Exhibition, The National Contemporary Art Exhibition, South Korea
2000	The 8th Textile Design Exhibition, The Han Yang Women College, South Korea

Personal Acheivements

2008	“Certificate of Appreciation”, Sydney Institute, TAFE
2000	Scholorship for Vice Leader of Textile Design, Han Yang Women College, South Korea
1999	F/W CHANEL Fashion Show 1999 assisstant, South Korea

Awards & Grants

2009	Visual Arts Grant for “Girls Against Gold”, Australia Council for the Arts, Sydney
2000	“Special Selection of The 6th Fine Art Exhibition”, The National Contemporary Art Exhibition, South Korea

Contact

Email	Contact Andrea

Education

2009	Advanced Diploma of Jewellery and Object Design, Design Centre Enmore, Sydney Institute TAFE
2007	Enamelling Course with Barbara Ryman, Sturt Contemporary Australian Craft, Mittagong, Australia
2004	Counter Sketching Course, Gemmological Institute of Americal, Columbia
2000	Casting and Stone Setting, EL ORFEBRE, Jewellery School, Cali, Columbia
2002	Workshop and Seminar in Jeweller Design, Jewellery School and Workshop, Bogota, Columbia

Work Experiences

2010-current	Class Assistant, Sydney Institute of TAFE, Design Centre Enmore

Exhibitions

2009	Christmas Showcase, Studio 20/17, Waterloo
2008	‘pin UP’, End of Year Exhibition, Dank St. Waterloo
2007	‘Suite’ , End of Year Exhibition, Dank St. Waterloo
2006	‘Carrot’, End of Year Exhibition, Dank St. Waterloo
2002	‘Arte Sacro’, Museo Museo Arqueológico La Merced, Cali, Colombia

Contact

Email	Contact Bernadette

Education

2009	Accreditation Senior First Aid Certificate St Johns Ambulance
2008	Advanced Diploma of Jewellery and Object Design, Design Centre Enmore, Sydney Institute TAFE
2004	Bachelor Degree in Interior Design, University of Canberra
2003	Advanced Diploma of Interior Design, Canberra Institute of Technology
2002	Diploma of Interior Decoration, Canberra Institute of Technology
2001	Certificate II in Design Studies, Canberra Institute of Technology

Work Experiences

2009-current	Tool Store Person, Sydney Institute of TAFE, Design Centre Enmore
2008	Production Assistant, Jewellery, Dinosaur Designs, Strawberry Hills, Sydney
2008	Class Assistant, Sydney Institute of TAFE, Design Centre Enmore
2008-current	Co-founded Painting the Roses Jewellery and Object Design Workroom, with design partnership, skullbulb, and oneredline and Brooke Johnston Design

Exhibitions

2009	Girls Against Gold, Pablo Fanque, Sydney Girls Against Gold, Blank_Space, Surry Hills Explorations 09’, Gaffa, Sydney
2008	Diablo Art, Studio Opening Exhibition, 224 Enmore Road, Enmore
2008	Graduate Metal XI, National Biennial JMGA Conference, Adelaide
2007	‘Suite’ , End of Year Exhibition, Dank St. Waterloo
2006	‘Carrot’, End of Year Exhibition, Dank St. Waterloo
2005	‘Tracelines’, End of Year Exhibition, Dank St. Waterloo

Grants

2009	Visual Arts Grant for “Girls Against Gold”, Australia Council for the Arts, Sydney

Contact

Email	Contact Diane
Website	www.dianeappleby.com

Education

2003	Master of Art, RMIT Melbourne

Selection of Exhibitions

2006	“Sighting the Past” Macleay Museum, University of Sydney
2004	“Containers” Workshop Bilk, Queanbeyan
2004	“Australian Expressions” A Contemporary Art and Design Exhibition. Raffles City Shopping Centre, Singapore
2004	“Celebrate Australia 2004” Exhibition of Wearable Design. Jendela Gallery, Singapore Arts Centre.
1999	“Artistica Australia 1999”, supported by Austrade and organised by Kazu Ogawa of Taj Enterprises. Travelled to 8 cities in Japan, featuring 8 exhibitions over 6 weeks.
1998	“Artistica Australia 1998”, supported by Austrade and organised by Kazu Ogawa of Taj Enterprises. Travelled to 7 cities in Japan, featuring 7 exhibitions over 6 weeks.
1998	“The Ring”“ Exhibition in conjunction with Wagner’s “Ring Cycle”“ Opera at the Festival Centre in Adelaide, Makers Mark galleries in Sydney and Melbourne.
1997	“Artistica Australia 1997”, Sponsored by the Australian Embassy in Tokyo and Austrade. Coordinated by Kazu Ogawa of “Taj Enterprises”“ of Japan to celebrate the “50th Friendship Anniversary” between Australia and Japan. Travelled to 5 cities in Japan over 2 months.
1997	“Subterranean Holiday”, collaborative works with Keith Rowe. Glass Artists Gallery, Sydney.
1993—1994	“The Art of Adornment”, Curated by Glenda King. A joint project by the Queen Victoria Museum and Art Gallery, Launceston, and the Dept. of Foreign Affairs and Trade. Travelled to Japan, Korea and Indonesia.
1988	“Women ’88 Award Exhibition”, Hilton on the Park, then to Devise Gallery, Melbourne.
1987	“Craft Expo”, World Trade Centre, Melbourne.
1987	Solo Exhibition, Contemporary Jewellery Gallery, Sydney.
1987	“Terrazzo”, in conjunction with Covers (fashion house), Studio Noko, Sydney.
1985	“Craft Expo”, Centre Point Tower, Sydney.
1980	“Mixed Media”, Stephen Mori Gallery, Sydney.

Collections

• Queen Victoria Museum and Art Gallery, Launceston, Tasmania.

Contact

Email	Contact Jane

Education

2005	MYOB Computer Course Northern Beaches TAFE, Computer Applications for the Office-Certificate II. Northern Beaches College TAFE, Australia.
1994	Associate Diploma of Art (Glass) Canberra School of Art (CSA), Institute of the Arts (ITA) Australian National University (ANU), Australia.
1987	Bachelor of Science (Architecture) University of New South Wales UNSW, Australia.

Personal Experiences

2008	Attended Ausglass Conference, Canberra.
2007-2008	Part Time Lecturer at Enmore Design Centre, TAFE
2006-v2008	Glass bead tutor at Kuringai College of Art, Roseville, Teacher short kiln forming courses at Australian Stained Glass, Pyrmont.
2005-2008	Part Time Lecturer in Glass, Sydney College of the Arts (SCA), University of Sydney
1999-2008	Working Part-time in own Studio

Group Exhibitions

2008	Ausglass Members Show, Canberra
2007	Ranamok Glass Prize, Selective Exhibition
2007	Kuringai College of Art’s Annual Tutors Exhibition, Roseville.
2006	S.O.D.A Gallery, Avalon
2005	Ranamok Glass Prize, Selective Exhibition, Ausglass Members Shows, Melbourne (VIC) and Adelaide (SA), “element” 1000 C Gallery, Avalon NSW
2004	Ranamok Glass Prize, Selective Exhibition
2003	“Northern Lights”, 1000 C Gallery, Avalon NSW
2002	“Dialogue– Stephen Procter and friends”, Quadrivium, Sydney, “Creative Fellows. An exhibition by Canberra Churchill Fellows”, Link Gallery, Canberra
2001	“Glass Art in Australia”, Quadrivium, “Strung Out. An International Exhibition of Glass Jewellery & Bead Work”, Portland OR.,USA.
1999	Ausglass Members Show, Wagga Wagga, NSW. Presiding Officers Award, Selective Exhibition, Parliament House, Canberra, ACT, 25th Alice Craft Acquisition (Selective Exhibition), Alice Springs NT., Vitreous II, Craft QLD Gallery, Brisbane, QLD
1998	18th National Craft Acquisition Award. Selective Exhibition. Museum Art Gallery of the Northern Territory. R.F.C. (Resource Finance Corporation) Prize, Selective Exhibition. Alice Art Prize – Alice Springs, NT.
1997	R.F.C. (Resource Finance Corporation) Prize, Selective Exhibition, Beaver Christmas Show, Beaver Gallery, ACT. The Season’s Best, Glass Artists’ Gallery, Glebe, NSW.
1996	“Variety”- Glass Artists Gallery
1995	“Australian Glass – A Recent View”, Glass Artists Gallery. Ausglass – Student Exhibition, Adelaide, SA.
1994	“Bingo”, CSA Graduating Student Exhibition, “Moore Balls and Morrisey Beads”, CSA Glass Workshop graduating students, Craft Council of ACT, Annual Craft Show.
1993	Ausglass – Student Exhibition, Canberra,ACT.

Contact

Email	Contact Majella

Education

2007	Certificate III in Engineering-Production Systems
2005	Year 2 Jewellery Manufacture Certificate III
2004	Advanced Diploma in Jewellery and Object Design
1984-1991	Abitur-equivalent to Australian HSC (Grade 7-13) Friedrich-Ebert-Oberschule (Berlin)

Employment

2007 – current	Part time Teacher, Design Centre Enmore
2006 – current	Technical Officer (Design) Grade1/Engineering, Design Centre Enmore
2005	Kampress Design (Jewellery manufacture)

Exhibitions

2009	“Girls Against Gold”, Pablo Fanque, Sydney “Girls Against Gold”, Blank_Space, Surry Hills
2008	“Girls for Boys”, Gaffa, Surry Hills, Sydney
2008	“NCA Art Exhibition”, Newtown Mission Church, Sydney
2007	‘Metalab’; The Christmas show, Surry Hills, Sydney
2005	‘SNO’; Fifth show, mixed media exhibition, Marrickville, Sydney
2004	‘Fragmentum’, Student End of Year Exhibition, Muse, Ultimo, Sydney
2004	‘The Week Before Christmas’, Side on Gallery, Annandale, Sydney
2003	‘The Prize’, Selected Finalist, TAFE, Dowing Centre, Sydney
2003	‘On Off One Off’, Student End of Year Exhibition, Muse, Ultimo, Sydney
2002	‘Calm Before the Form’, Student End of Year Exhibition, Muse, Ultimo

Grants

2009	Visual Arts Grant for “Girls Against Gold”, Australia Council for the Arts, Sydney

Publications

• July 2005 Sydney Morning Herald, Metro Section

Related Memberships

• 2006 JMGA-NSW (Jewellers & Metal smiths Group of Australia NSW Inc) member

Contact

Email	Contact Marcelo

Artist Statement

My work is about harmonising form, material and structure with function. I believe in composing “timeless functional structures” as objects that enhance us, our environs and the quality of our lives.

Seminars and Courses

2004	Powerhouse Museum Design Master Class, Sydney, Form Making, Tom Kovac
2004	Advanced Diploma in Jewellery & Object Design, Design Centre Enmore, Sydney Institute of TAFE
2002	Powerhouse Museum Design Master Class, Conceptual Model, Scott Wilson
1996	Course in Laminated Furniture, Professor Olle Pira, UBB
1996	Semianr in Bauhaus Design, Professor Fernan Meza, UBB
1995	Course in Advanced Wood Design, Professor Angel Grosso, UBB
1994	Course in the Application of Advanced Counstruction Process and Tachniques for Wood Lamination in Furniture Design, UBB

Exhibitions

2008	“Christmas Show”, Studio 20/17, Danks St. Depot, Sydney
2008	“Explorations 2008”, A&E Metal Merchants Annual Exhibition, Gaffa, Sydney
2007	“Showcase Exhibition”, Powerhouse Museum Shop, Sydney
2006	“Out of Sight”, JMGA NSW, Pyrmont Studios Gallery, Sydney, NSW
2006	“Embrace”, Soda Gallery, Avalon, NSW
2006	“Expeditions”, Metalab Gallery, Sydney, NSW
2006	“Christmas Exhibition” Pieces of Eight Gallery, Melbourne, VIC
2006	“Take away”, JMGA NSW, Gaffa Gallery, Sydney, NSW
2006	“Young Blood Design Market”, Powerhouse Museum, Sydney, NSW
2005	“Vessel – Mode of Containment”, Pyrmont Studios Gallery, Sydney, NSW
2005	“Element”, Gallery 1000C, Avalon, NSW
2005	“Place”, Object Gallery, Sydney, NSW
2005	“Contemporary Australian Silver & Metalwork Award” , BUDA, Castlemaine, VIC
2005	“Love Junk”, Fianlist, Reverse Garbage, Sydney, NSW
2004	“Fragmentum”, The Muse, Ultimo, Sydney
2004	“Expresiones de Chile”, Fairfield City Museum and Gallery, Sydney
2004	“View at the Muse, Museum Light Up Sydney!”, TAFE NSW, Sydney
2004	“Love Exhibition”, Kai Boutique, Sydney, Australia
2003	“On Off One Off”, The Muse, Ultimo, Sydney
2003	“Focus 2003” Semi-Finalist, TAFE NSW, Sydney
2003	“The Week Before Christmas”, JMGA NSW, Side On Gallery, Sydney, Australia
2003	“Art Exploring The Urban Edge Between Sydney and Bondi”, Bondi Pavilion, Sydney, Australia
2002	“Love Junk”, Finalist, Reverse Garbage, Sydney
2002	“Calm before the Form”, The Muse, Ultimo, Sydney

Awards & Prizes

2006	Grant Recipient, Australia Council for the Arts, Mentorship woth Robert Foster (Fink & Co)
2005	Winner State Medal for outstanding performance, TAFE NSW
2005	Winner College Achievement Award, Design Centre Enmore, TAFE NSW
2005	Second Prize, “Junk Love”, Sustainable Design, Reverse Garbage

Contact

Email	Contact Radka

Education

2009	JOD Award Receipent, Design Centre Enmore, Sydney Institute TAFE
2008	Advanced Diploma of Jewellery and Object Design, Design Centre Enmore, Sydney Institute TAFE
2005	Certificate IV of Fundamental Design, Design Centre Enmore, Sydney Institute TAFE
2005	Advanced Diploma of Business and Marketing, Sydney Business and Travel Academy

Work Experiences

2009-current	part time teacher, Sydney Institute of TAFE, Design Centre Enmore
2006-current	Workshop assistant, jewellery designer, Mood Australia
2005-2006	Casual quality control assistant, Von Troska (Fashion Design)

Exhibitions

2010	Evolution, a solo exhibition, Studio 20/17, Waterloo
2009	Christmas Showcase, Studio 20/17, Waterloo Girls Against Gold, blank space & pablo fanque, Sydney Explorations 09’ gaffa, surry hills Marrickville Contemporary Art Prize, at the varnishing point, Marrickville Wish List, Adelaide Central Gallery Buda 2009 – Contemporary Australian Silver & Metalwork Exhibition Hunters Hill Art & Craft Exhibition, Hunters Hill City Council Up & Coming Design Expo, Paddington Uniting Church
2008	‘pin UP’, End of Year Exhibition, Dank St. Waterloo NCJA Nationl Contemprary Jewellery Award 2008, Griffith City Council Girls for Boys, gaffa, surry hills
2007	‘Suite’ , End of Year Exhibition, Dank St. Waterloo Exploration 07’, gaffa, surry hills
2006	‘Carrot’, End of Year Exhibition, Dank St. Waterloo
2005	Showdown, the meaning of life in 10 acts, Enmore Theatre Pencil, Plisse Cafe, Solo exhibition of drawings

Contact

Email	Contact Ragnar

Gold and Silversmith

1945	Born Fredrikstad, Norway.
1961—1965	Qualified as Silversmith, Plus – Norway Silver Design.
1971	Awarded Master Craftsman.
1972	Arrived in Australia.

Present Position

2002—	Lecturer, Design Centre Enmore, SI, TAFE NSW Jewellery & Object Design.

Past Positions

1972	Head of Workshop, Sturt, Mittagong, NSW.
1973	Established Gold and Silversmithing Program, Tasmanian School of Art, Launceston, TAS.
1973—1981	Senior Lecturer, Head of Workshop, Gold and Silversmithing Tasmanian School of Art, Launceston, TAS.
1981	Established Gold and Silversmithing Program, Canberra School of Art, Canberra ACT.
1981—2002	Senior Lecturer, Head of Workshop, Gold and Silversmithing, Canberra School of Art, Australian National University.

Professional Experience

1968	Silversmith – Trainer of Apprentices, Kilkenny Design Workshop, Kilkenny, Ireland
1969	Rudolf Heltzel Workshop, Kilkenny, Ireland
1985	Commonwealth Teaching Service, Overseas Study Award
1978	Jewellery and Metalwork AwArd – Attended World Craft Conference, Kyoto, Japan
2002	Established Own Workshop, Springwood, Blue Mountains NSW
1988	Convener – 1. International Silversmithing Symposium, Canberra School of Art

Commissions

1986	Australian National Gallery of Canberra, ACT
1987	Hamilton Art Gallery, VIC
1991	ACT Government, Canberra
1994	National Gallery of Victoria, Melbourne
1996	University of Canberra, ACT
1965—	Various Private

Solo Exhibitions

1979	Art of Man Gallery, Paddington NSW
1980	Makers Mark Gallery, Melbourne VIC
1986	Makers Mark Gallery, Melbourne VIC

Selected Group Exhibitions

1965	Norway Silver Design, Sweden, Frankfurt Fair, Germany
1970	Scandinavian Gold & Silver Fair, Copenhagen, Denmark
1970	The Craft Association Exhibition, Maihaugen, Trondheim, Stavanger, Norway
1970	Norway Silver Design, USA
1972	Sturt Exhibition, Gallery 16,Sydney, Melbourne
1973	School of Art Exhibition, Launceston, TAS
1975	World Craft Council Exhibiton, Toronto, Canada
1975	Eleven Australian Jewellers, Touring, Jam Factory, Adelaide, SA
1976	World Fair, USA.
1976	SAdlers Court Gallery, Richmond, TAS.
1976	Hollow Ware, Narek Gallery, Canberra.
1976	Craft Centre, Toorak, Melbourne, VIC.
1976	Ten Australian Jewellers, Touring South East Asia.
1977	Jewellery, Bowerbank Mill Gallery, Deloraine, TAS.
1978	Australian Craft Travelling Exhibition, Crafts Board, Australia Council.
1978	Makers Mark Jewellery and Metalwork Award, Royal Melbourne Show.
1979	Objects To Human Scale, Touring Japan and South East Asia.
1981	Gift, Canberra School of Art Gallery.
1982	Staff Exhibition, Canberra School of Art, ACT.
1983-84	Australian Decorative Arts, The Past Ten Years, Australian National Gallery, Canberra, ACT.
1984	Contemporary Jewellery, The Americas, Australia, Europe, and Japan, National Museum of Modern Art, Kyoto, Japan. National Museum of Modern Art, Tokyo, Japan.
1985	Australian Decorative Arts 1900 – 1985, Australian National Gallery.
1985	Hollow Ware, Museum of Applied Arts, Oslo, Norway.
1985	8th European Silver Triennale, Goldschmiede Haus Hanau, Germany, Hildesheim, Schwaebish Gmuend, Osna Brueck – Germany, Goldsmith Hall-London, Art Gallery and Museum-Glasgow, Scotland.
1986	Staff Exhibition, Canberra School of Art, ACT.
1988	Great Australian Art Exhibition, Art Gallery of South Australia.
1989	Directions – Silversmithing, Contemporary Hollow WAre In Australia, Travelling Exhibition.
1990	Canbart, Drill Hall Gallery, Australian National Gallery, ACT.
1991—94	Contemporary Australian Hollow WAre, Touring Australia, Korea, USA.
1993	20th Century Silver, Craft Council of Great Britain.
1995	ANU Drill Hall Gallery, Canberra.
1995	Takashimaya Gallery, Singapore.
1997	Artists Make Furniture, Long Gallery, Wollongong.
1998	Then and Now, Mark 2 Exhibition, Meat Market, Craft Centre, Melbourne, VIC.
1999	Australian Contemporary Design In Jewish Ceremony 11, Touring.
1999	Mapping Identity, Object Gallery, Centre For Contemporary Craft, Sydney, Touring.
1999	The Tea Pot, Distelfink Gallery, Melbourne.
2000	31@20, Gold & Silversmithing Workshop, Touring Germany, Taiwan, Australia.
2003	Contemporary Jewellery, Side On Gallery, Sydney, NSW.
2004—05	14th European Silver Triennale, Goldschmiede Haus Hanau, Germany. Touring Solingen, Chemnitz, Denmark, Holland.
2006	The Crafted Object, 1960’s – 80’s, National Gallery of Australia.

Publications

1973	Architecture In Australia, February, Page 223.
1975	Scandinavian Design, Object of A Lifestyle, Page 182.
1977	Craft Australia, No 3, Page 28.
1978	Craft Tasmania, Volume 8, No 2.
1978	Craft Australia, No 1, Page 28-29.
1980	Craft Tasmania, Vol 10, No 6.
1983	Art Bulletin of Victoria, No24, Page 67-68.
1983—04	Australian Decorative Art, The Past Ten Years.
1985	Australian National Gallery Association News, Recent Acquisition, Spring.
1986	Goldschmiede Zeitung, European Jeweller, No 4, Page 136.
1986	Art Aurea, Schmuck Mensch Objekt, No 2, Page 64.
1986	Craft Australia, No 2, Page 72-74.
1987	Metalsmith, Snag (USA), Winter, Page 50.
1987	Craft Australia, No 4, Page 8-16.
1987	Crafts UK, March, Page 16-29.
1987	Lemel, February, Page 3-5.
1987	Vogue Living, February, Page 20.
1988	Craft Australia, No 2, Page 41-48.
1988	Craft Australia, No 12, Page 57.
1988	Lemel, June, Page 5.
1988	Craft and Arts, No 11, Page 51-55.
1989	New Zealand Crafts, Autumn, Page 28-33.
1989	Design Journal (Korea), No 20, Page 84.
1990	Craft Arts, No 19, Page 52-56.
1992	Craft Arts, No 25, Page 96-98.
1998	Object, No 3, Page 30-33.
2002	Federation, Australian Art and Society, 1901-2002, Page 235-237.

Public Collections

• Australian National Gallery, Canberra ACT
• Art Gallery of Western Australia, Perth WA
• Art Gallery of South Australia, Adelaide SA
• Former Craftsboard of The Australia Council
• Department of Foreign Affairs, Washington, USA
• Hamilton Art Gallery, Hamilton SA
• Museum of Applied Arts, Oslo, Norway
• National Gallery of Victoria, Melbourne VIC
• Nordenfiedske Kunstindustrimuseum, Trondheim, Norway
• Powerhouse Museum, Sydney NSW
• Queensland Art Gallery, Brisbane QLD
• Queen Victoria Museum & Art Gallery, Launceston TAS
• Tasmanian School of Art Collection, Launceston TAS
• Tasmanian Museum & Art Gallery, Hobart TAS
• Victorian Ministry For The Arts, Melbourne VIC

Private Collections

• Australia, Germany, Great Britain, Norway, United States

Contact

Email	Contact Rik

Artist Statement

I have an interest in graphic design so colour, pattern, and repetition are design elements that I often refer to in my work. Over the past few years I have researched and experimented with titanium anodising using a variety of “masks” and “resists” in order to be able to produce controlled colour on a titanium surface.

Titanium was first utilised by the aerospace industry because of its high strength-to-weight ratio, corrosion resistance, and durability. Today, titanium is used in a wide variety of products including bike frames, golf clubs, laptop computer cases, heart valves, eyeglass frames and watch bands. I use titanium because it is lightweight, it can be coloured & is non-allergenic which altogether makes it an ideal metal for use in jewellery.

Summary of Courses

2004	Completed 3 year “Adv. diploma of Jewellery & Object Design” (Design Centre, Enmore, NSW)
2003	Completed 2 year “Diploma of Jewellery & Object Design” (Design Centre, Enmore, NSW)
2000	Introduction to silver jewellery (3-months part time, Mosman Evening College, NSW)

Exhibitions

2006	“Out of Sight” (J.M.G.A., Sydney, NSW)
2005	“Contemporary Wearables 05” (Toowoomba Regional Gallery , QLD)
2005	“Vessel – Mode of Containment” (J.M.G.A., Sydney, NSW)
2005	“Element” (Gallery 1000C, Avalon, NSW)
2005	“BUDA” (Castlemaine, Victoria, Australia)
2004	“Fragmentum” exhibition (Sydney, Australia)
2004	“Love Exhibition” (Kai Boutique, Sydney, Australia)
2003	“On Off One Off” exhibition (Sydney, Australia)
2003	“Focus 2003” semi-finalist (TAFE NSW, Sydney, Australia)
2003	“The week before Christmas” exhibition (Side On Gallery, Sydney, Australia)
2002	“Calm before the Form” (Sydney, Australia)

Collections & Awards

2005	Toowoomba Regional Gallery – Acquisition of “Pattern Interchange #3” for the gallery collection
2005	BUDA Exhibition – Awarded 1st Place, Graduate Category by ‘Gold & Metalsmiths Guild of Australia’

Publications

2006	‘Craft Arts July 06’
2005	‘CONTEMPORARY WEARABLES 05’ – 2005, ISBN: 13 978 1 876545 22 2 (page 26)
2005	‘Filings #18’, J.M.G.A. N.S.W., August 2005 (Element Exhibiton Review)

Professional Jewellery Skills

• Competent in soldering precious and non-precious metals
• Work process skills from initial concept, mock-ups, and completed designs
• Competent in finishing skills; polishing, patination
• Experience using various workshop equipment; linisher, band saw, guillotine, polishing motors, etc
• Skilled at anodising of titanium using a rectifier
• Skilled using 3D Design software for mock-ups, and final designs

Related Memberships

• Member of Jewellers & Metalsmiths Group of Australia, NSW Branch (JMGA)

Contact

Email	Contact Seung

Career Path

2004- present	Teacher, Jewellery & Object Design (Full Time), Enmore Design Centre, TAFE, Sydney
2002- present	Jewellery Model Maker and Designer, Sydney
2004-2005	Technical Officer, Enmore Design Centre, TAFE, Sydney
2003	Jewellery Model Maker, Cerrone Jewellers, Sydney
2002	Jewellery Designer & Model Maker, Samdo Jewellery (Club-G) Seoul, Korea
2001	Jeweller, Ariss Design Jewellers (Part time), Sydney
2000	Jewellery Technician(Part time), Sydney College of the Arts
1988-1991	Sergeant, Medical Corp, Korean Army

Education

Education	Bachelor of Visual Arts (Jewellery & Object Design) Honours University of Sydney, 2000 Associate Diploma in Arts (Jewellery Design) Distinction TAFE, 1996
Courses	Certificate IV in Assessment and Workplace Training TAFE, 2004 O H & S Workplace Risk Assessment and Management TAFE, 2004 Welding TAFE, 2004 English for Further Studies TAFE, 1994 Paramedic Course Han Guk, Korean Army, 1988
Accreditation	Senior First Aid Certificate St Johns Ambulance, Valid till 4/07

Awards

• 1st Prize BHP Environment and Community Award, 2000
• Highly Commended for Customer Service, TAFE, 2004

Publication

• Craft Arts International No. 36

Solo Exhibitions

2000	Utility? Objects for Reflection Sydney College of the Arts Gallery. Graduate Metal VIII Griffith University.
1999	Utility? Sydney College of the Arts Gallery.

Selected Group Exhibitions

2000	Post Graduate Exhibition Sydney College for the Arts Campus.
1999	Graduate Exhibition Sydney College of the Arts Campus.
1996	We’re Where Wear Ware Sydney Institute of Technology Design Centre.
1995	SPARGERE – Artforce Volunteer Exhibition Museum of Contemporary Art.
1995	Metal Fume Fever Sydney Institute of Technology Design Centre.

Contact

Email	Contact David

My training as a Designer and Silversmith and my quest to develop technically as a jeweller has given me the ability to tackle design and manufacturing challenges. I constantly try to be inventive in my outlook, developing technical methods to help in the making process. Ideas lead to processes, processes generate designs! And hopefully payment. I enjoy working to exacting standards to produce work that is both precise and aesthetically pleasing. And importantly , liaising with clients to fulfill their design requirements.

Over the years I have built up a well equipped workshop. I make tools to help when I have to repeat operations.

Though Silversmithing is my preferred medium, most of my work is in Gold. I also do a range of work in Titanium and 18ct gold. I am trying to complete a project ‘Memoirs of Morocco’.

1982—2006	Designer, Jeweller and Silversmith. Part time teacher, Enmore TAFE.
1982	Moved to Australia. Set p workshop on Central Coast.
1971—1982	Opened business in London designing and making jewellery.
1964—1971	Traveling, and teaching and Studying in London. Post graduate Art Teaching Certificate. University of London. Institute of Education.
1962—1964	Worked as Silversmith in Denmark.
1962	Diploma in Silversmithing and Graphic Design. Gray’s School of Art, Aberdeen Scotland.

Commissions

• Sliver Mace for University of NSW.
• Silver bowls For Sydney Opera House.
• Various private commissions.
• Large Chess Set and Board in various plastics.

Education

2004-2006	Advanced Diploma of Jewellery and Object Design, Design Centre, Enmore, Sydney NSW
2002	Certificate IV in Fine Arts (part-time), Hornsby College, Sydney NSW
1999	Certificate IV in Art- Applied and Visual (part-time), North Adelaide School of Art, Adelaide SA
1999	Basic Jewellery Making Course, Silver Shop, Adelaide SA

Professional Experience

2007-Current	Class Preparation Assistant Jewellery Object Design & Trade, TAFE NSW Sydney Institute-Design Centre, Enmore
2004-2007	Silver Jewellery Production Associate, Dinosaur Designs, Strawberry Hills
2004-2006	Retail Assistant, Dinosaur Designs, Paddington & Strand Arcade
2003-2004	Resin Jewellery Production Manager, Dinosaur Designs, Strawberry Hills
2000-2003	Resin Jewellery Production Associate, Dinosaur Designs, Strawberry Hills

Exhibitions

2009	“Girls Against Gold”, Pablo Fanque, Sydney “Girls Against Gold”, Blank_Space, Surry Hills Explorations 09’, Gaffa, Sydney “alter ego”, Gaffa, Surry Hills, Sydney
2008	“Recycled, Reused, Reborn”, Pablo Fanque, Paddington, Sydney
2008	“Girls for Boys”, Gaffa, Surry Hills, Sydney
2008	“NCA Art Exhibition”, Newtown Mission Church, Sydney
2008	“FIVE EIGHT FIVE”, Gaffa, 7 Randle Street, Surry Hills, Sydney
2007	“CRACKER”, Metalab, 10b Fitzroy Place, Surry Hills, Sydney
2007	“Enroute”, Sydney
2007	“Contemporary Wearables”, Toowoomba Regional Art Gallery, Toowoomba, Queensland
2006	“Carrot”, The Depot Gallery, Danks Street, Waterloo, Sydney
2005	“Trace Lines”, The Depot Gallery, Danks Street, Waterloo, Sydney
2004	“Fragmentum”, The Muse, Ultimo, Sydney
2004	“Mekarnivale”, Mekanarky Studio, Cnr Reece and Turrella Street, Sydney

Grants

2009	Visual Arts Grant for “Girls Against Gold”, Australia Council for the Arts, Sydney

Publications

2006	Jewellers Magazine, Summer Issue

Contact

Email	Contact Marina

Marina Civiero is a contemporary jeweller based in Sydney with galleries and retail stores around Australia, representing her work. She is also currently part of the Jewellery and Object Design teaching staff at the Design Centre, Enmore.

Taking inspiration from many sources, including interiors, nature and fabrics, Marina enjoys incorporating colour and texture into her work. Her current production work features the use of textile materials such as silks and felt, together with precious metals. Utilising textile techniques such as printing and weaving, there is a strong sense of hand work and stitching. Through
attempting to replicate textiles processes and textures, there is also a reminder of her childhood and of her mother, Adele, constantly hand and machine knitting, sewing and stitching.

Since graduating from Jewellery and Object Design at Sydney Institute of Technology, Randwick TAFE in 1993, Marina has worked in many areas of the jewellery industry, from traditional, fashion to contemporary.

In 1994, she began a partnership with fellow graduate, Melissa James and together they formed Wingbeat Designs. From humble beginnings at Bondi Beach Markets, they went on to establish the jewellery gallery/retail outlet, Blue Turtle Studio, located in Newtown, Sydney. From 1996 to 2003 they were designing, making and selling their contemporary jewellery within their colourful and inviting studio.

Contact

Email	Contact Melinda
Website	www.melindayoung.net

Education

2006	Graduate Diploma of Vocational Education and Training, Charles Sturt University, Wagga Wagga, NSW.
2000-2002	Master of Visual Arts, (Jewellery and Object Design), Sydney College of the Arts, University of Sydney.
1999	Bachelor of Visual Arts, Honours, (Jewellery and Object Design), Sydney College of the Arts, University of Sydney.
1995-1998	Bachelor of Visual Arts, (Jewellery and Object Design), Sydney College of the Arts, University of Sydney.
1992-1994	Bachelor of Art Theory, College of Fine Arts, University of New South Wales, (First and Second Year).
1990-1991	Bachelor of Arts, University of Sydney, (First and Second Year).

Professional Experience and Development

2009	Take a ball of thread…Workshop, metalab Sydney; Artist Talk, Jamfactory, Adelaide, SA
2009	Artist Talk and workshops to accompany solo exhibition at Craft Victoria, Melbourne, VIC
2008	Recycling Plastics for Jewellery Workshop with Mark Vaarwerk, Uni SA, Adelaide.
2007	Artist talk, pecha kucha, Sydney.
2006	Exhibition Co-ordinator graduate metal X, JMGA Conference, Sydney.
2006-present	Full time teacher, Jewellery and Object Design, TAFE NSW Sydney Institute – Design Centre, Enmore.
2005	Jewellery Teacher, Al Ain Education Zone Summer Challenge, TAFE Global (June – August), Al Maali Model School for Girls, Al Ain, United Arab Emirates. Research assistant, Living Treasures – Masters of Australian Craft, Les Blakebrough : Ceramics, Object- Australian Centre for Craft and Design Touring exhibition. Research assistant, Woven Forms: Contemporary basket making in Australia, Object- Australian Centre for Craft and Design Touring exhibition. Exhibition co-ordinator and catalogue essay Contemporary Jewellery from Japan, Object Gallery Project Space, Sydney. Co-curator place JMGA Members exhibition, Object Gallery, Sydney. Research assistant Global Local exhibition, Object Gallery, Sydney and Victoria and Albert Museum, London. 4th year design student mentor, College of Fine Arts, University of NSW (voluntary).
2004	Curator. Forty, Object gallery, Sydney. Curator, metal element seven, Quadrivium, Sydney Editorial assistant, design Island, exhibition catalogue, Object, Australian Centre for Craft and Design/Arts Tasmania touring exhibition 4th year design student mentor, College of Fine Arts, University of NSW (voluntary).
2003-2006	Gallery Supervisor, Object, Australian Centre for Craft and Design
2003	Curator, metal element six, Quadrivium, Sydney. Otto Kunzli Master Class Participant, Sydney College of the Arts.
2003-2005	Jewellery Short Course Tutor, College of Fine Arts, University of New South Wales.
2002-2004	Sessional Design Lecturer, Jewellery, College of Fine Arts.
2002	Professional Practice Guest Lecturer, Object Art and Design Studio, Sydney College of the Arts. Exhibition Co-ordinator; Metal Element V, Quadrivium, Sydney. Forum Co-ordinator; Metal Element V, Sydney College of the Arts. Dieforming Workshop with Lee Marshall, Sydney College of the Arts. Dieforming Course, Sydney Community College.
2001-2005	Jewellery Tutor, Eastern Suburbs Community College, Sydney.
2001	Jewellery Teacher, Pine Street Creative Arts Centre, South Sydney Council. Casual Technics Tutor, Object Art and Design Studio, Sydney College of the Arts.
2000-2004	Gallery and Exhibitions Assistant, Quadrivium, Sydney.
2000-present	Book Reviews and editorial writing for object magazine.
2000-2001	Cloisonne Enamelling Course with Barbara Ryman, Sydney Community College.
2000	Portfolio Preparation Course tutor, Sydney College of the Arts. Co-Curator, clean, Newspace Gallery, Sydney.
1999-2000	Retail Assistant, object; Australian Centre for Craft and Design, Sydney.
1991-2001	Freelance graphic design and writing.

Solo Exhibitions

2009	Unnatural, naturally, metalab, Sydney (with Lauren Simeoni)
2009	Take a ball of thread…, Craft Victoria, Melbourne, VIC and Zu Design, Adelaide, SA.
2008	Take a ball of thread…, Pablo Fanque, Sydney.
2008	It’s not easy being green, (showcase) A&E Metal Merchants and Powerhouse Museum, Sydney.
2004	Window, e.g.etal, Melbourne, VIC.

Selected Exhibitions since 1997

2009	Explorations 09’, gaffa gallery, Sydney unnatural, naturally, metalab, Sydney Crafting Landscape, Lake Macquarie City Art Gallery, Newcastle, NSW make_over, gaffa gallery, Sydney le fil (The thread), gaffa gallery, Sydney alter ego, gaffa gallery, Syney.
2008	Recycled, Reused, Reborn, Pablo Fanque, Sydney refashioning the fashion, Object Gallery, Sydney, NSW Explorations, Gaffa Gallery, Sydney Winter brooches, Studio 20/17, Danks St Depot, Waterloo, NSW make Do, Gaffa Gallery, Sydney Profile, National Wine Centre, Adelaide, SA & Horus & Deloris Gallery, Pyrmont, NSW.
2007	Bright Shiny Things, Zu Designs, Adelaide, SA Cracker, Metalab, Sydney, NSW Explorations, Gaffa Gallery, Surry Hills, NSW catch on 2, Seoul, Korea 50 brooches, Craft Queensland, Brisbane, QLD 30th Alice Craft Acquisition, Araluen Centre, Alice Springs, NT make off, Gaffa Gallery, Surry Hills, NSW
2006	takeaway, Gaffa Gallery, Surry Hills, NSW Expeditions ’06, Metalab, Surry Hills, NSW catch on, Zu Designs, Adelaide, SA maiden voyage, Gaffa Gallery, Surry Hills, NSW out of site, Pyrmont Studios, Pyrmont, NSW
2005	Zuest, Zu Designs, Adelaide, SA The Ring, Katherine Kalaf Gallery, Cottesloe, WA 29th Alice Craft Acquisition, Araluen Centre, Alice Springs, NT Coastline, 1000° Gallery, Avalon, NSW
2004	piece, Zu Designs, Adelaide, SA Takeaway, Pyrmont Studios Gallery, Pyrmont, NSW Conversations-Women at Work, Katherine Kalaf Gallery, Cottesloe, WA For(4)m, Gallery onefivesix, Sydney Collections, Pyrmont Studios Gallery, Pyrmont, NSW Click, Gallery onefivesix, Sydney National Contemporary Jewellery Award, Griffith Regional Art Gallery, Griffith, NSW Design Landscape, Group Window Installation, e.g.etal, Melbourne, Vic White, the new black?, Gallery onefivesix, Sydney souvenir, e.g.etal, Melbourne, VIC a life in the day of…, La Trobe Street Gallery, Melbourne
2003	sparkle, Gallery onefivesix, Sydney bedazzled, object stores, The Rocks, Sydney Contemporary Wearables ’03, Toowoomba Regional Art Gallery, Queensland and touring Australia until mid-2004 a life in the day of…, Sydney College of the Arts Gallery, Sydney Bloom- Contemporary Southern Wearables, OXOXO Gallery, Baltimore, Maryland and Stone Harbour, New Jersey, USA 28th Alice Craft Acquisition, Araluen Centre, Alice Springs, NT sample, e.g.etal in collaboration with the Melbourne Fashion Festival soapbox, JMGA NSW Members exhibition, Pyrmont Studios, Sydney The Ubiquitous Ring, Gallery onefivesix, Sydney
2002-2003	4-D, object galleries, Sydney; Craftwest, Perth
2002	Graduate Exhibition, Sydney College of the Arts Emerging Sydney, Atrium Gallery, Glasgow, Scotland National Contemporary Jewellery Award, Griffith Regional Art Gallery, Griffith, NSW Metal Element V, Quadrivium, Sydney Pinned, Gallery onefivesix, Sydney City of Perth Craft Award, Craftwest Gallery, Perth, WA Nex(t), Gallery onefivesix, Sydney Yum Cha, Hong Kong Art and Craft Centre, Hong Kong
2001	paper, Gallery onefivesix, Sydney Shortlisted by Craft Australia for submission to Talente 2002, Munich, Germany Contemporary Wearables ’01, Toowoomba Regional Art Gallery, Queensland and touring Australia until mid-2002 Sydney Design Week- Meet the Makers, Gallery onefivesix, Sydney mmm…utility, Sydney College of the Arts Gallery Sampler, Sydney College of the Arts Gallery Lapel, Gallery onefivesix, Sydney Armware, Gallery onefivesix, Sydney pgr, Newspace Gallery, Sydney Heart 2001, Gallery onefivesix, Sydney Lights! Camera! Auction!, First Draft, Sydney
2000	Utility- Objects for Reflection, Sydney College of the Arts Designate, First Draft, Sydney Wrapping Time, online exhibition project at www.wrappingtime.com Graduate Metal VIII, Queensland Conservatorium, Griffith University, Brisbane, QLD. clean, Newspace Gallery, Sydney Blackbird Art Prize, Blackbird Café, Cockle Bay, Sydney
1999	Degree Show, Sydney College of the Arts Utility? Sydney College of the Arts Gallery
1998	Suspension, Herringbone Gallery, Sydney Group Show, TAP Gallery, Sydney
1997	NB, Graduate Show, Sydney College of the Arts Deep Art, Zitlip Gallery, Sydney Crystalize, Zitlip Gallery, Sydney Frost Free, Zitlip Gallery, Sydney Intro Show, Zitlip Gallery, Sydney

Grants & Awards

2008	Profile Award 2008 – Established Artist, Jewellers and Metalsmiths Group of Australia NSW.
2007	NAVA Marketing Grant
2002	Post Graduate Research Funding Grant, University of Sydney
2000	People’s Choice, Blackbird Art Prize, Cockle Bay, Sydney

Selected Publications

• Marthe le Van (ed), 500 Plastic Jewellery, Lark Books, Asheville NC, USA, 2009
• Alice Blackwood, ‘Getting Hands On’, DQ design quarterly, Volume 34, Winter 2009, p.41
• Kelly Robson (ed), gaffa Book Part One, Published by gaffa Gallery, Sydney, 2009
• Suzanne Boccalatte & Meredith Jones (eds), Hair – Trunk Book Vol. 1, Boccalatte, Surry Hills, 2009
• Damien Skinner, The Icky and the Crappy – Considering Jewellery by Lisa Walker & Melinda Young, March 2009
• http://pauadreams.co.nz/texts/the-icky-and-the-crappy/
• Andy Lim (ed), The Compendium Finale of Contemporary Jewellers, Darling Publications, Cologne & New York, 2009
• Emily Howes, ‘Refashioning the Fashion’, object, #57, December 2008
• ‘Take a Ball of Thread’, object, #55
• Jewellery featured in Fashion/Lifestyle photo story – The Melbourne Magazine, The Age, September 2005
• Louise Martin Chew, ‘The Great Materials Double Dip’, Object magazine #46, 2005
• ‘Plastic Fantastic’, Daily Telegraph, Wednesday July 7 2004, Style Supplement p.2 (image)
• ‘fresh’ object, #44, p.81
• ‘metal element seven’, City Weekly, (Sydney), May 6, 2004
• ‘thrill of the new’, Good Living Fashion, Sydney Morning Herald, November 4, 2003
• Contemporary Wearables ‘03 exhibition catalogue, Toowoomba Regional Art Gallery
• Jack Cunningham; ‘Metamorphosis- Emerging Sydney’, Craft Arts International, #59, 2003
• Ellie Aroney; ‘A life in the day of…’, Filings, #10, September 2003
• Bob Thompson, ‘metal element six’, object, #43, p.87
• Michele Morcos, ‘metal element six’, Lemel, Winter 2003, p.5 and image p.11
• Lemel, Autumn 2003, p.15
• Back Cover image, Lemel, Spring 2002
• ‘Student Artwork 2001-2’, Craft Arts International, No. 55, 2002
• ‘Spotlight’, Sydney Morning Herald, Monday 12th August 2002
• ‘Pure Alchemy’, Monument, Issue 50, August/September 2002
• ‘Wearing the Characteristic- The Usual Way of Seeing Jewellery’, Interiors 2U, (Hong Kong), vol. 4, March 2002, p.104
• Noris Ioannou; ‘Anything Goes in Jewel of a Show’, Adelaide Advertiser, February 12th 2002
• Emma Wood; ‘We Are One @ gallery onefivesix’, Filings, #4, February 2002
• Lemel, Summer 2001, p.15
• Contemporary Wearables ‘01 exhibition catalogue, Toowoomba Regional Art Gallery
• Victoria Hynes; ‘mmm…’, Sydney Morning Herald- Metro, 19th-25th October 2001
• ‘Fresh’, object, 1/00
• Therese Waters; ‘Jewellery Options Shine’, The Weekend Australian- Careers, 4th-5th March 2000
• ‘Utility?’, The University of Sydney News, October 1999
• Tangent 1999, An Anthology of Women’s Creative Work, The University of Sydney Union, 1999

Selected Published Writing

• ‘Yuka Oyama’s Schmuck Quickies’, Design Hub, Powerhouse Museum, www.dhub.org, July 2007
• ‘Victor Greenaway – Ceramics’, Book review, Object magazine, #48, 2005
• ‘The Cutting Edge – Fashion from Japan’, Book review, Object magazine, #48, 2005
• ‘Joungmee Do’ and ‘Vicki Mason’ artist profiles in “Global Local” supplement, Object magazine, #45, 2004
• Artist Profiles in Design Island, exhibition catalogue, Object, Australian Centre for Craft and Design, Thames and Hudson, 2004
• JMGA conference review, object, #44, 2004
• ‘Virtual Gallery of Contemporary Jewellery CD ROM’, Review, object, 4/01
• ‘Passages- Simeon Nelson’, Benjamin Genocchio- Book review, object, 4/00
• ‘Reinventing Textiles- Tradition and Modernity’, Sue Rowley ed.- Book review, object, 3/00